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by Spencer Ross

Originally, St. Germain was supposed to come to Metropolis in Montreal this past December.  However, due to an illness in the group, the tour was cancelled and postponed until a later date.  My neighbour, Kim had tickets for her and a few friends for her friend, Kristin's, birthday, however when the tour was cancelled, she got her tickets refunded since she didn't know when they would be coming back.  Not knowing this, I bought a ticket to the concert on impulse, the Monday before the show.  37.50$ seems like a lot of money for a ticket at a smaller 1,000 person venue like Metropolis, but then again, this is St. Germain, and unless they were planning on selling out the Molson Centre, then you're stuck paying 37.50$.  However, I ended up going to the concert myself, which wasn't bad, but could have made for a better time if I knew people there.

I had lost my copy of St. Germain's Tourist, probably somewhere in my room, so until then, I was listening to a burnt copy before the concert.  Arriving at the concert a half hour late, the place was completely packed.  They were still selling some tickets, but it couldn't have been many left.  The concert was sponsored by House of Blues Canada, but I'm not quite sure how any of the music that was played was actually blues.  In fact, everyone was dancing, which I never really thought happens with blues music.  Opening for the band was DJ Maüs, who was spinning some house music.  I think it's the first time I went to a non-rock concert, so it was cool, because particularly since I've been here, I've become more into non-rock music like various techno sub-genres and hip-hop.  Most of that I owe to Kim as well.  So I actually got to see the music actually being mixed, spinning the records, inserting some of the extraneous sounds, playing with the tempo and the bass.  And everyone was grooving out.  Since the place was packed, this made it kind of difficult but everyone managed to do their thing. 

I got there a  half hour late and DJ Maüs was on until around 9:50ish.  After about 20 minutes, St. Germain walked onto the stage and each member of the band sat down at their instrument and they just preceded to play.  One of the biggest things of the evening for me was seeing that because their music sounds like it could be a live band, but it could also be purely techno.  So when the band came out, you knew that if the music was that good on the CD, that the live show had to be great because it wasn't even just a mere DJ spinning records, but an actual band playing instruments.  The first song they blew into was a song I didn't know (possibly Street Scene (4 Shazz)), and then right after that, was into their hit, "Rose Rouge."  This is when the crowd really started to get moving, clapping, and smoking.  They played four songs off their hit album, Tourist, and each song was more and more intense.  Ludovic Navarre might be the "conductor" of the band, but his main role in the show was providing the house beat for all the other musicians to play along with.  It was the musicians themselves that stole the show, and while they did not speak until the second to last song when they introduced the musicians, Pascal Ohsé on trumpet, Edouard Labor on saxophone and flute, Alexandre Destrez on keyboards, and Edmondo Carneiro on percussion.  There was also a guitarist and a dummer, whose music was probably synthesized on the album and then brought in for the live show to give added feel.  The guitarist was amazing, particularly on "Sure Thing."  The band itself also exuded the relaxed, laid-back feel that their music portrays.  Sometimes during a song, the keyboardist would be doing a jam with the percussion and Labor would run back and forth across the stage, raising applause for the two, and then trying to quiet the audience.  Or Carneiro would be doing a solo percussive jam and hit some bongos with one hand and try and quiet the clapping audience with the other, then raise their applause and continue with a two handed solo.  And the crowd did not stop all night, it was phenomenal.  St. Germain played an hour set, took a four minute break, and came back out for 25 more minutes to do one more song and then finishing with an encore performance of "Rose Rouge."    I may have been socially alone at the concert, but music brings everyone together and the live music of St. Germain did that in a style and grace that simply cannot be put into words.

Setlist:
1. (possibly Street Scene (4 Shazz))
2. Rose Rouge
3. Sure Thing
4. Montego Bay Spleen
5. So Flute
6. (unknown, non-album)
ENCORE
7. (unknown, non-album)
8. Rose Rouge

4/13/01

    


Google Finance

I've become a big advocate of Google. I think they truly have managed to break the hold of Microsoft and if anything, have also demonstrated the sheer power of the cliched Web 2.0. This finance site is no small potatoes either. The graphs are so simple yet so lush in data, and the rest of the pages are no different. Perhaps the most appealing feature is the portfolio which, with a Google account, lets you enter in how many shares of a stock you own and track all of its vitals in one page. I entered in my 401k breakdown and at any given time, it lets me visualise my account better than my 401k planner does.



Gastroenteritis

The stomach flu got me at the end of the year, making for the worst sickness I've felt in probably 10-15 years. Every hour, I was either on or over the toilet and at times, had to keep a bag next to the bed for those times I couldn't make it to the toilet fast enough. From what I've heard, I wasn't the only one to catch this horrible disaster in the past 2-3 weeks. I was supposed to go to Andrew's for the opening of the 7 year old time capsule and video but the stomach flu sidelined my plans (I'm finally at about 85% recovery) and for that, you are the asshole of the week.




The Smalrus Habs Rankings 2004-2005

Rankings pending...


Opus of Prince Arthur and St. Laurent, No. 03

Movement 1, September 20
Movement 2, October 18
Movement 3, November 22
Movement 4, December 20
Movement 5, January 17
Movement 6, February 21
Movement 7, March 27
Movement 8, April 17
Movement 9, CODA, May 22

        


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