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Hail to the Radiohead
by Spencer
Ross
Three years after the release of their pinnacle album, Kid A and two years after its follow-up CD, Amnesiac, one of England's most successful rock bands since the Beatles have come upon us with their latest release Hail to the Thief (*****). Packed with drippy ballads, textured guitars, asymmetrical rhythms and sonic fizz, Radiohead have managed to take everything they learned from their previous five albums to create what could be one of 2003's best albums.
With the success of 1997's OK Computer, the band found itself in a pigeonhole- what do you do after you've created one of the century's top rock albums? Thus, the band locked themselves down and played around with electronica. Out came Kid A, a series of loops, clicks, beeps, and whirs, produced to sound like something incoherently musical. Continuing along the Kid A Sessions, was Amnesiac- something slightly more user-friendly, but very different from previous albums nonetheless. Running into a wall, the Thom Yorke and Co. decided a different songwriting method on Thief: write some songs, "market test" them to the fans, then record in 2 weeks. The boys of Radiohead are fierce like that, continually trying to push the musical envelope of sonic landscaping. And Thief does just that.
The album starts out with the song "2+2=5," an obvious reference to Orwell's 1984, and a recurrent theme in the album's lyrics. Through four movements in four minutes, Yorke screeches about his post-9/11 themes: emptyness, big brother, false politik... and continues it through the album ("There's a gap where we meet/Where I end & you begin"). Contrary to Kid A's vacancy of word, Thief is full of words and themes. In "Backdrifts," a guitar is looped backwards with dulled notes in a rather dizzying effect. "All evidence has been buried/All tapes have been erased," Yorke sings while something sounding like electricity pops pass him by in the background. Such as with "The Gloaming," it is clear that the electronic aspect of Radiohead has not faded away, but incorporated itself into the newer music.
Another thing Radiohead has done on Thief is remphasizing the role of the piano in rock music. Take for example "A Punchup at a Wedding," where the blues riff leads the piano while Yorke sings "I don't know why you bother/Nothing's ever good enough for you." Or the ballad "Sail to the Moon," which uses piano as an key instrument? Or there's the fuzz-ridden guitar on "Myxamatosis." No song is the same, but they're all linked together as a solid unit of songs.
Perhaps Radiohead's new method of songwriting paid off on this album. Yes, Thom Yorke has a very whiny voice and perhaps his politik is a little pretentious, but if the music is what matters, then the guys have got it together on this album. After Kid A and Amnesiac, they've finally reopened themselves to the world with a little less abstractness but the same level of absurdity. The album comes with a map of random words and each song (and the album) has an alternate track title. Maybe they surged a little too hard here but their musical shift to fuse their sounds together creates good payoff for both them and their fans. They've come a long way from Pablo Honey and The Bends but then again, they really haven't.
11/06/03

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Google Finance
I've become a big advocate of Google. I think they truly have managed to break the hold of Microsoft and if anything, have also demonstrated the sheer power of the cliched Web 2.0. This finance site is no small potatoes either. The graphs are so simple yet so lush in data, and the rest of the pages are no different. Perhaps the most appealing feature is the portfolio which, with a Google account, lets you enter in how many shares of a stock you own and track all of its vitals in one page. I entered in my 401k breakdown and at any given time, it lets me visualise my account better than my 401k planner does.
Gastroenteritis
The stomach flu got me at the end of the year, making for the worst sickness I've felt in probably 10-15 years. Every hour, I was either on or over the toilet and at times, had to keep a bag next to the bed for those times I couldn't make it to the toilet fast enough. From what I've heard, I wasn't the only one to catch this horrible disaster in the past 2-3 weeks. I was supposed to go to Andrew's for the opening of the 7 year old time capsule and video but the stomach flu sidelined my plans (I'm finally at about 85% recovery) and for that, you are the asshole of the week.
The Smalrus Habs Rankings 2004-2005
Rankings pending...
Opus of Prince Arthur and St. Laurent, No. 03
Movement 1, September 20
Movement 2, October 18
Movement 3, November 22
Movement 4, December 20
Movement 5, January 17
Movement 6, February 21
Movement 7, March 27
Movement 8, April 17
Movement 9, CODA, May 22
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