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by Spencer Ross

This concert was half impulse, half truly wanting to go see one of Britain's top rock acts and also somewhat due to the fact that the St. Germain concert I wanted to see instead this Tuesday was cancelled.  I was almost skeptical about going to a concert myself again, but my roommate, Dave, has taken to Travis in the past few days so he decided he'd accompany me.

The venue that Travis was playing at, Metropolis, is about a 1000 person, general admission theatre.  I'm not sure how many tickets must be sold at Metropolis for it to be considered a sellout, but attendence at the show looked like it would be very close to that number, as both the floor and the balcony were packed to see the Scots kick off their world tour in support of The Invisible Band.

Opening for Travis was an Alabaman band called Remy Zero, who has apparently been opening for Travis tours for the past three years.  Remy Zero is a band who has a sound that sounds a bit like an even cross between Live and Counting Crows.  The singer, Cinjin Tate, looked like a cross between Michael Stipe and Moby, and had a sound like Ed Kowalcyzk of Live.  Remy Zero took the stage around 8:30 and pummelled through 45 minutes of music.  Towards the end of the set they asked the audience members to cheer as if they just heard Travis play "Why Does It Always Rain On Me" following the song.  So this "rule" applied for the last four songs, "Save Me," "Solo," "Gramarye," and "Hollow."  And at 9:15, the band left the stage for Travis.  [note: Remy Zero will be appearing on Conan O'Brien on 4 Oct.]

After a rather lengthy 35 minute setbreak and a restless crowd, Travis came out and blew right into the first single from their latest album, The Invisible Band, "Sing," complete with banjo acoutriments by the lead guitarist.  The crossover between the banjo and the lead guitar was rather seamless and added to the live texture of the song. Additionally, the banjo was brought back later in the set for the song "Flowers in the Window."

Although the crowd wasn't as physically responsive to the music, it was evident that everyone was feeling the energy that the band was exuding.  In explaining the title of the new album, lead singer Fran Healy, commented that it wasn't because the band wanted to be invisible, but because music is something that we can't see.  Instead, we can hear it and even more so we can feel it.  "Feeling is believing," said Healy.  He then used the World Trade Center attacks as a means to segue into the song "Side," a song about us all living on the same earth.  "The grass is always greener on the other side/Neighbour's got a new car that you want to drive/And when time is running out, you want to stay alive/We all live under the same sky/We all will live/We all will die/There is no wrong/There is no right/The circle only has one side," Healy sings.

Travis played all of their hits, from "Sing" to "Side," from "Driftwood" to their most well known hit, "Why Does It Always Rain On Me."  The band made sure to blend a mix from Invisible, but also some older material.  Lead guitarist Andy Dunlop was shining on guitar and his melodic riffs well carried the songs through.  As the show progressed, his playing style really started to breakout and he made more use out of the feedback with his Les Pauls and Gibson 330. 

Shortly after 11,  the band stepped off for a minute breather and then went back onstage for a three song encore.  The first song, "All I Wanna Do Is Rock," was the first song that Travis rehearsed together and from what I could guess, it probably sounded better than that first time.  Following that, the bassist, Dougie Payne, sang lead on a cover of the David Bowie song, "All The Young Dudes."  The last song of the night was "Happy," and was dedicated to the fans, rounding out a powerful performance and a superb tour opener.  Retrospectively, the concert was definitely worth going to, even if I hadn't previously heard all of Travis' works.  The energy in this show has definitely sparked an interest in what else they've done.

Travis Setlist:
SET I (9:53)
1. Sing (9:53)
2. U16 Girls (9:57)
3. Writing to Reach You (10:01)
4. Pipe Dreams (10:06)
5. As You Are (10:10)
6. Driftwood (10:15)
7. Turn (10:20)
8. Last Train (10:24)
9. Afterglow (10:29)
10. Side (10:36)
11. Flowers in the Window (10:40)
12. Follow the Light (10:44)
13. Humpty Dumpty Love Song (10:48)
14. Why Does it Always Rain On Me (10:52)
15. Slide Show (10:51)
16. Blue Flashing Light (11:00)

END SET I (11:04)

ENCORE (11:05)
1. All I Wanna Do is Rock (11:08)
2. All the Young Dudes (David Bowie cover sung by Dougie) (11:12)
3. Happy (11:18)

END SHOW (11:23)

30/09/01

    


Google Finance

I've become a big advocate of Google. I think they truly have managed to break the hold of Microsoft and if anything, have also demonstrated the sheer power of the cliched Web 2.0. This finance site is no small potatoes either. The graphs are so simple yet so lush in data, and the rest of the pages are no different. Perhaps the most appealing feature is the portfolio which, with a Google account, lets you enter in how many shares of a stock you own and track all of its vitals in one page. I entered in my 401k breakdown and at any given time, it lets me visualise my account better than my 401k planner does.



Gastroenteritis

The stomach flu got me at the end of the year, making for the worst sickness I've felt in probably 10-15 years. Every hour, I was either on or over the toilet and at times, had to keep a bag next to the bed for those times I couldn't make it to the toilet fast enough. From what I've heard, I wasn't the only one to catch this horrible disaster in the past 2-3 weeks. I was supposed to go to Andrew's for the opening of the 7 year old time capsule and video but the stomach flu sidelined my plans (I'm finally at about 85% recovery) and for that, you are the asshole of the week.




The Smalrus Habs Rankings 2004-2005

Rankings pending...


Opus of Prince Arthur and St. Laurent, No. 03

Movement 1, September 20
Movement 2, October 18
Movement 3, November 22
Movement 4, December 20
Movement 5, January 17
Movement 6, February 21
Movement 7, March 27
Movement 8, April 17
Movement 9, CODA, May 22

        


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